“I have never achieved such brilliant colours with the rough paper I´m used to. Since the paints remain on the surface of the new ‘Britannia hot pressed’ paper, they light up very intensely. Several layers can be superimposed, are wonderfully translucent, and every single layer retains its luminosity.” Peggy Rustler has tested the new academy…
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Werner Richner’s fine art albums filled with landscape photographs going from hand to hand at photokina in Cologne and the Salon de la Photo in Paris. With astonished eyes, many viewers stroked the paper gently – usually with Hahnemühle cotton gloves. Who once have seen and touched the lively, eye-and-hand caressing A3 albums, melt down…
more“I appreciate the new BRISTOL drawing paper for its versatility. It is perfect for all drawing techniques and for ink. It is sturdy and ultra-smooth. I like the precise lines of pencils, ink, charcoal and crayons and the opaque colours. The colours do not bleed. BRISTOL will be an indispensable companion for my workshops or…
more“I am very pleased that Hahnemühle is working intensively with users of their papers to develop great new products. As a draftsman, I appreciate the new sketchbook, I am now able to draw on tinted paper from light to dark as well as from dark to light. A novelty on the German market.” Jens Hübner,…
more“It was a great pleasure for me to test the paper in advance and I can imagine, to work with the paper permanently. I prefer it to other papers I’ve used so far.” Ewa Ludwiczak, painter, about a new hot pressed watercolour paper by Hahnemühle. Click for more information about the paper which will be…
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