“I have never achieved such brilliant colours with the rough paper I´m used to. Since the paints remain on the surface of the new ‘Britannia hot pressed’ paper, they light up very intensely. Several layers can be superimposed, are wonderfully translucent, and every single layer retains its luminosity.”
Peggy Rustler has tested the new academy watercolour paper and reported on it in her blog. A video shows her wonderfully bright motifs and summarises her experiences with the new ‘Britannia hot pressed’.
“I appreciate the new BRISTOL drawing paper for its versatility. It is perfect for all drawing techniques and for ink. It is sturdy and ultra-smooth. I like the precise lines of pencils, ink, charcoal and crayons and the opaque colours. The colours do not bleed. BRISTOL will be an indispensable companion for my workshops or simply for traveling.”
Audry Backs on the BRISTOL paper for graphic, design and illustration. A Hahnemühle novelty at Creativeworld 2017. Audry Backs is going to draw on the new paper and all other novelties for traditional arts at Hahnemühle´s stand in hall 4.1. We keep you updated on Facebook, Instagram and Twitter . First of all, there is more information in the press section of our blog.
“I am very pleased that Hahnemühle is working intensively with users of their papers to develop great new products. As a draftsman, I appreciate the new sketchbook, I am now able to draw on tinted paper from light to dark as well as from dark to light. A novelty on the German market.”
Jens Hübner, artist and designer talks about the new Hahnemühle product, THE GREY BOOK.
Information about the grey sketchbook, which will be launched at Creativeworld 2017, can be read in the press area.
“It was a great pleasure for me to test the paper in advance and I can imagine, to work with the paper permanently.
I prefer it to other papers I’ve used so far.”