“When I’m contemplating the display of fine art exhibitions, I take into account how an image will benefit from a specific accentuation or pop that certain types of print mediums provide. Looking to print this particular image from my BEATIFIC/CAUSTIC series, I explored various print surfaces that would highlight the iridescent glimmer and high shine feel I’m portraying in the shot. Working with Hahnemühle, I discovered a new print surface that elicits this bold, shimmering quality brilliantly. Pairing BEAUTIFIC/CAUSTIC with Hahnemühle’s new Photo Rag® Metallic paper, I am able to share my vision through high-quality fine art.”
“Photo Rag Baryta has a very elegant light gloss and the baryta paper structure supports the effect of my sculptures – whether in colour or black and white. The slightly warm tone of the paper gives the image depth and thus the look is very different from that of the standard photo papers. This is important to me if I sell my ‘One-Euro-Sculptures’ as photographic works of art to donate money to various charity organisations. The strength and feel of genuine artist paper further enhance the prints.”
“Few years ago I did the switch from silver prints to inkjet prints and I’ve been from the beginning seduced by Hahnemühle Papers. So, each time I finish a body of work, I have prints done on Hahnemühle paper, Photo Rag® Ultra Smooth or Photo Rag® Baryta. I love the quality of Hahnemühle papers, their thickness. What a delight to see my work on paper. The final step to keep my images alive.”
Discover the new Cézanne Canvas! Here is a sneak peek on the new canvas made of 100% cotton. The finely woven surface structure, which you see in close-up, steps back elegantly and let the colours pop. The matt coating offers first-class printing results for skin tones or even gloss – as in the graceful motif by Lindsay Adler. Cézanne Canvas contains no OBA and provides with 430gsm extraordinary elasticity, making it ideal for stretcher frames.
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