{"id":9596,"date":"2016-03-11T09:06:48","date_gmt":"2016-03-11T08:06:48","guid":{"rendered":"http:\/\/news.hahnemuehle.com\/?p=9596"},"modified":"2016-03-11T09:06:48","modified_gmt":"2016-03-11T08:06:48","slug":"andreavicentini","status":"publish","type":"post","link":"https:\/\/blog.hahnemuehle.com\/en\/andreavicentini\/","title":{"rendered":"Victorian garden architecture in contemporary photography by Andrea Vicentini"},"content":{"rendered":"<p>Could Victorian parks in London be a subject of contemporary photography? They can. In photographs of <a href=\"http:\/\/www.andreavicentini.com\/\" target=\"_blank\">Andrea Vicentini<\/a> from Italy. In his series &#8220;Senteza di Massa &#8211; The judgement of the mass&#8221; the photographer refers to rules of Victorian garden planning: the\u00a0<span id=\"result_box\" class=\"\" lang=\"en\"><span class=\"hps\">the creation of<\/span> <span class=\"hps\">contrast<\/span>, <span class=\"hps\">the installation<\/span> <span class=\"hps\">of surprise<\/span>, <span class=\"hps\">the concealment of the<\/span> <span class=\"hps\">borders<\/span>. <span class=\"hps\">Seen<\/span> <span class=\"hps\">from this angle<\/span> <span class=\"hps\">the<\/span> <span class=\"hps\">garden<\/span> <span class=\"hps\">is<\/span>, <span class=\"hps\">in mediative black and white images<\/span> <span class=\"hps\">of<\/span> <span class=\"hps\">Vicentini<\/span>, <span class=\"hps\">a<\/span> <span class=\"hps\">personal<\/span> <span class=\"hps\">place<\/span>, <span class=\"hps\">able<\/span> <span class=\"hps\">to communicate<\/span> <span class=\"hps\">emotions and feelings. The<\/span> works of art are<span class=\"_5yl5\"> on display at\u00a0&#8217;96 Metri Cubi d&#8217;arte&#8217; in Milano till March, 19. &#8216;Sentenza di Massa\u2019 series comprises\u00a011 pictures ranging from 15&#215;22 up to 110X165 cm printed on Photo Rag\u00ae Bright White, mounted on Dibond and wooden framed. We are honoured to host an interview with Andrea here on our blog.<\/span><\/span> <!--more--><\/p>\n<p><strong><span id=\"result_box\" class=\"\" lang=\"de\"><a href=\"http:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_00_Profile-Picture.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-9604 \" src=\"http:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_00_Profile-Picture-300x300.jpg\" alt=\"Andrea_Vicentini_00_Profile Picture\" width=\"193\" height=\"193\" srcset=\"https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_00_Profile-Picture-300x300.jpg 300w, https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_00_Profile-Picture-150x150.jpg 150w, https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_00_Profile-Picture-1024x1024.jpg 1024w, https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_00_Profile-Picture-500x500.jpg 500w, https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_00_Profile-Picture.jpg 1600w\" sizes=\"auto, (max-width: 193px) 100vw, 193px\" \/><\/a><\/span>When did you discover your passion for photography?<\/strong><\/p>\n<p>I started photographing when I was young following my father in his homemade dark room experiments. Although I have been taking this passion seriously after my first solo exhibition in 2012 in wich I was invited to take part of the Contemporary Archive of MART Museum in Rovereto (Italy). Since then I have attended workshops and the <a href=\"http:\/\/www.arts.ac.uk\/lcc\/\" target=\"_blank\">London College of Communication at UAL<\/a>(Contemporary Photography Course) to enhance both my vision and background.<strong><a href=\"http:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_01_Landscape_Evanescence_London_EC2Y_5HN3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-9608 size-medium\" src=\"http:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_01_Landscape_Evanescence_London_EC2Y_5HN3-300x200.jpg\" alt=\"Andrea_Vicentini_01_Landscape_Evanescence_London_EC2Y_5HN#3\" width=\"300\" height=\"200\" srcset=\"https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_01_Landscape_Evanescence_London_EC2Y_5HN3-300x200.jpg 300w, https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_01_Landscape_Evanescence_London_EC2Y_5HN3-1024x684.jpg 1024w, https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_01_Landscape_Evanescence_London_EC2Y_5HN3-500x334.jpg 500w, https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_01_Landscape_Evanescence_London_EC2Y_5HN3.jpg 1600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/strong><\/p>\n<p><strong>How did you come to the world of Fine Art photography?<\/strong><\/p>\n<p>My first exhibition was about travel photography. I\u2019m still fond of that exhibition, but gradually I felt the desire to show a deeper meaning in my shoots and to put more layers in them. I begane a research on Contemporary Art and the more I discovered the more I fell in love with this art in its highest meaning and best quality expression.<\/p>\n<p><strong>Which of your projects opened the door to the art market\/professional market?<\/strong><\/p>\n<p>As usually things happen. I met a guy who was attracted by some pictures I&#8217;ve already printed and were drying in my studio. He suggested me to show those artworks to a gallerist from Milano and so it was. The gallerist chose my project &#8216; Sentenza di Massa&#8217; to be part of a solo exhibition during the philosophy and art festival called \u2018FilosofArti\u2019.<\/p>\n<p><strong>Who inspires you most?<\/strong><\/p>\n<p>I get inspired from photographers as much as painters and sculptors. I would mention Francesca Woodman, Barnett Newman and Richard Serra as idealistic menthors. In addiction I\u2019m fascinated by the relationship between space and my pictures. I\u2019m not focused only on images. I carefully choose dimensions, paper, mounting, framing, and lighting as a whole experience dedicated to the viewer.<\/p>\n<div id=\"attachment_9605\" style=\"width: 210px\" class=\"wp-caption alignright\"><a href=\"http:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_02_detail_FA_Baryta.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9605\" class=\"wp-image-9605 size-medium\" src=\"http:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_02_detail_FA_Baryta-200x300.jpg\" alt=\"Andrea_Vicentini_02_detail_FA_Baryta\" width=\"200\" height=\"300\" srcset=\"https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_02_detail_FA_Baryta-200x300.jpg 200w, https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_02_detail_FA_Baryta-684x1024.jpg 684w, https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_02_detail_FA_Baryta-334x500.jpg 334w, https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_02_detail_FA_Baryta.jpg 1068w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><p id=\"caption-attachment-9605\" class=\"wp-caption-text\">Detail of a print on FineArt Baryta<\/p><\/div>\n<p><strong>How would you describe your personal photography style?<\/strong><\/p>\n<p>I\u2019m still experimenting different styles. I have been working in abstract expressionism as much as Conceptual.<\/p>\n<p><strong>What is most challenging about photography?<\/strong><\/p>\n<p>It\u2019s hard getting both coherence and cohesion on a long-term basis. Sometimes it may be easy to take beautiful pictures because we all live in an as wonderful as rough world but the challenge is to instill food for thought to the audience.<\/p>\n<p><strong>How important is the printed presentation of your works of art?<\/strong><\/p>\n<p>In the age of digital photography, I decided to bet on the process which leads the snapshot to become a tangible photo to personally follow all the stages of the creation. I wish to leave a heritage of printed pictures instead of raw digital data.<\/p>\n<p><strong>Which is your favorite Hahnem\u00fchle paper and why?<\/strong><\/p>\n<p>I have two favourites papers: Hahnem\u00fchle FineArt Baryta 325 because of color space and deep black. I do love the surface that gives a 3D effect. On the other side I choose Hahnem\u00fchle Photo Rag Bright White 315 for my matted works. To the truth I have sheets and rolls of Museum Etching, Torchon and PhotoSilkBaryta up to 44\u2019\u2019. Therefore I clearly have more than two favourites papers.<\/p>\n<p><strong><a href=\"http:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_05_Sentenza-di-Massa_proofing.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-9607 size-medium\" src=\"http:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_05_Sentenza-di-Massa_proofing-300x300.jpg\" alt=\"Andrea_Vicentini_05_Sentenza-di-Massa_proofing\" width=\"300\" height=\"300\" srcset=\"https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_05_Sentenza-di-Massa_proofing-300x300.jpg 300w, https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_05_Sentenza-di-Massa_proofing-150x150.jpg 150w, https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_05_Sentenza-di-Massa_proofing-1024x1024.jpg 1024w, https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_05_Sentenza-di-Massa_proofing-500x500.jpg 500w, https:\/\/blog.hahnemuehle.com\/en\/wp-content\/uploads\/sites\/12\/2016\/03\/Andrea_Vicentini_05_Sentenza-di-Massa_proofing.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/strong><strong>Do you have a dream project you would like to realize sometime?<\/strong><\/p>\n<p>I have been working on a project called \u2018Event Horizon\u2019 which aims to explore the boundary line of a black hole and take it as a reference to compare with the human being. It&#8217;s the involvement in the hidden stories inside the mathematical and astronomical researches by astronomy observatories. It seems to foretell me great experiences.<\/p>\n<p>More on the photographer and his portfolio online at <a href=\"http:\/\/www.andreavicentini.com\/\" target=\"_blank\">www.andreavicentini.com <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Could Victorian parks in London be a subject of contemporary photography? They can. In photographs of Andrea Vicentini from Italy. In his series &#8220;Senteza di Massa &#8211; The judgement of the mass&#8221; the photographer refers to rules of Victorian garden planning: the\u00a0the creation of contrast, the installation of surprise, the concealment of the borders. Seen&hellip;<\/p>\n","protected":false},"author":9,"featured_media":9606,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1919,3126],"tags":[3418,3343,3765,3770,3345,3300,3178,3481,3871,3942],"class_list":["post-9596","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-digital-fineart","tag-albumes-de-cuero-inkjet-fineart","tag-archival","tag-black-and-white-photography","tag-contemporary-photography","tag-fine-art","tag-giclee","tag-photorag","tag-pigment","tag-schwarz-weiss-fotografie","tag-zeitgenoessische-fotografie","category-1919","category-3126","description-off"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Victorian garden architecture in contemporary photography by Andrea Vicentini - Hahnem\u00fchle Blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.hahnemuehle.com\/en\/andreavicentini\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Victorian garden architecture in contemporary photography by Andrea Vicentini - Hahnem\u00fchle Blog\" \/>\n<meta property=\"og:description\" content=\"Could Victorian parks in London be a subject of contemporary photography? They can. In photographs of Andrea Vicentini from Italy. In his series &#8220;Senteza di Massa &#8211; The judgement of the mass&#8221; the photographer refers to rules of Victorian garden planning: the\u00a0the creation of contrast, the installation of surprise, the concealment of the borders. 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They can. In photographs of Andrea Vicentini from Italy. In his series &#8220;Senteza di Massa &#8211; The judgement of the mass&#8221; the photographer refers to rules of Victorian garden planning: the\u00a0the creation of contrast, the installation of surprise, the concealment of the borders. 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