{"id":2470,"date":"2015-06-26T09:52:05","date_gmt":"2015-06-26T07:52:05","guid":{"rendered":"http:\/\/news.hahnemuehle.com\/?p=2470"},"modified":"2015-06-26T09:52:05","modified_gmt":"2015-06-26T07:52:05","slug":"architektier_ingoarndt","status":"publish","type":"post","link":"https:\/\/blog.hahnemuehle.com\/fr\/architektier_ingoarndt\/","title":{"rendered":"Architecture Animale – par le photographe de nature Ingo Arndt"},"content":{"rendered":"

Animals<\/span> are<\/span> great<\/span> architects<\/span> – and that<\/span> they were<\/span> in the times<\/span> when human beings were still living<\/span> in<\/span> caves<\/span>. Nature photographer<\/span> Ingo<\/span> Arndt<\/span> is touring with his<\/span> series<\/span> of epic<\/span> large<\/span> fine art<\/span> prints<\/span> around natural history<\/span> museums the world<\/span> and<\/span> shows<\/span> in<\/span> the current series<\/span> \u00ab\u00a0<\/span>Animal Architecture\u00a0\u00bb<\/a> the<\/span> filigree<\/span> or<\/span> monumental<\/span> structures<\/span> of animals in detail<\/span>. H<\/span>is<\/span> exhibition can be seen<\/span> until November 1st<\/span> 2015<\/span> in Neanderthal Museum<\/span> in<\/span> Mettmann<\/span> near Dusseldorf<\/span>. All prints are<\/span> done <\/span>by<\/span> professional<\/span> print<\/span> service<\/span> photo lab<\/span> Brieke<\/span><\/a> on<\/span> Photo Rag\u00ae<\/span> Ultra<\/span> Smooth<\/span><\/a>. Ingo<\/span> Arndt<\/span> found the time between<\/span> his travels<\/span> as a nature photographer<\/span> around the world<\/span> for an interview<\/span>. He<\/span> has used<\/span> our<\/span> paper<\/span> for many years<\/span> now for<\/span> exhibitions, for collector\u00b4s prints<\/span> and<\/span> his portfolio<\/span> to present to<\/span> editors and publishers<\/span>.
\n<\/span><\/p>\n

<\/p>\n

\n
Quand avez vous d\u00e9couvert votre passin pour la photogrpahie?<\/strong>\"Ingo_Arndt_208\"<\/a><\/strong>
\nTout petit d\u00e9j\u00e0 , j’\u00e9tais toujours \u00e0 battre la campagne. Il ets arriv\u00e9 un moment o\u00f9 j’ai voulu prendre des images de ce que j’observais. Mon p\u00e8re m’a donn\u00e9 un appareil 35mm, sur lequel j’ai utilis\u00e9 mes premiers films! Mais il est vite devenu \u00e9vident que j’avais besoin d’une meilleur technologie et j’ai \u00e9conomis\u00e9 pour me payer mon premier reflex.
\nC’\u00e9tait il y a plus de 30 ans.<\/div>\n
<\/div>\n
Lequel de vos projets vous a t’il ouvert les portes du march\u00e9 professionnel?<\/strong>
\nQuand j’\u00e9tais \u00e9tudiant j’ai vendu mes premi\u00e8res images \u00e0 des \u00e9diteurs de livres et de magazines. C’est comme cela que j’ai pay\u00e9 mes premiers \u00e9quipements, films et voyages. J’\u00e9tais tr\u00e8s photo de nature, mais j’ai du me d\u00e9brouiller avec un budget tr\u00e8s r\u00e9duit les premi\u00e8res ann\u00e9es. Le vrai changement est arriv\u00e9 il y a 16 ans, avec un reportage sur les cam\u00e9l\u00e9ons, qui a \u00e9t\u00e9 publi\u00e9 dans GEO Allemagne. Depuis je travaille r\u00e9guli\u00e8rement pour des magazines, et ai r\u00e9alis\u00e9 pr\u00e8s de 30 reportages sur commande.
\nAs a student I have I sold the first pictures to book and magazine publishers. So I funded my equipment, the first movies and travelling. I was a very early nature photo-pro, but had to deal with a very small budget the first years. The breakthrough came 16 years ago, with a story about chameleons, which was published in GEO magazine (Germany). Since then I have been working continuously for the demanding reportage magazine and have photographed nearly thirty stories on their behalf. Each story was then widely reprinted from other magazines and has financed my next projects. Meanwhile, there are not just magazines which print my photos but of course, my portfolio is quite wide today. Almost all travel I undertake with my wife Silke. She is a graphic designer and designed our books and exhibitions. So we are always working as a team, making larger projects would not be possible.<\/div>\n
\"Ingo_Arndt_022\"<\/a><\/div>\n
Do you have an idol in photography or who inspired you most?<\/strong>
\nNo, I do not have an idol. But of course, many colleagues have inspired me. From Germany, for example, Fritz P\u00f6lking. I was lucky and did know him personally. In addition to his photographic work he has also done a great deal for nature photography and was also a smart guy. He once told me exactly how he plans his work days. That impressed and influenced me, because I am also a very structured person.<\/div>\n
<\/div>\n
How would you describe your photographic style?<\/strong>
\nWhen stem Photo I do not look much to the right and left and try to go my own way. As a nature photographer with a preference for animal photography, I love clear images with a clear statement. This can be animal behavior, or even the expressive look of an animal. High aesthetics and graphic design to make sure of a lot of my best pictures. I’ll call again and again as a perfectionist. Therefore, it is probably mostly so that I shoot for an order of 10,000 or 20,000 pictures, but only 150 deductibles. The rest will be deleted immediately and no longer bothered me.<\/div>\n
<\/div>\n
What is most challenging about shooting wildlife respective animal photography?<\/strong>
\nTo capture the right moment! This applies in principle to all areas of nature photography. For my long-term project on animal masses as I always have to just be encountered by the animals in the maximum amount at the right time on site. Are the animals then in front of the lens, of course, the right light and the right image composition are elected. There are an infinite number of factors that make a really good picture. When I find it particularly important that one can interpret animal behavior. Only if you know how an animal behaves and what might happen next, you can get good images. It is not enough to buy the most expensive equipment.<\/div>\n
<\/div>\n
How important is the printed presentation of your works of art?<\/strong>
\nA printed presentation of my images is extremely important. For one of our exhibitions, which are shown in museums in Germany and many other countries. Secondly, for our fine art prints that we sell to art collectors. I run a very great effort to get my pictures, so I’m not compromise even with the presentation.<\/div>\n
<\/div>\n
\"Ingo_Arndt_126\"<\/a>Which is your favorite paper from Hahnem\u00fchle and why?<\/strong>
\nMy favorite papers are all Hahnem\u00fchle Photo Rag\u00ae grades. I know of no other paper that is so differentiated in details and the colours are so brilliant. Our current exhibition ‘Animal Architecture’ was printed on Photo Rag\u00ae<\/span> Ultra<\/span> Smooth<\/span><\/a><\/span>. We get the most positive feedback from museum visitors who have seen our exhibits. The prints of our fine art collection we sell are printed on Hahnem\u00fchle Photo Rag\u00ae<\/a>.<\/div>\n
<\/div>\n
Do you have a dream of a subject or a project that you would like even realize?<\/strong>
\nI come very much around, but strangely enough I have never photographed polar bears. Far from the usual \u00ab\u00a0polar bear tourism\u00a0\u00bb I would like to take pictures of the animals even over a long period. Unlike what one has seen. That would be a great way to draw attention to climate change. If it is not stopped, there will be in the near future no more polar bears. However, such a project is associated with high financial costs. It would be great just to find someone to fund the project …<\/div>\n
<\/div>\n
What\u00b4s next?<\/strong>
\nI’m just going to shoot two contracts for the GEO magazine. A story about a specific species and another story that has now grown to the next major project. Details will be a surprise.Thanks to Ingo Arndt for this Q&A.<\/div>\n<\/div>\n

More on the project and Ingo Arndt: \"Ingo_Arndt_042\"<\/a><\/strong><\/p>\n

http:\/\/animalarchitecture.ingoarndt.com\/<\/a><\/p>\n

http:\/\/www.ingoarndt.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Animals are great architects – and that they were in the times when human beings were still living in caves. Nature photographer Ingo Arndt is touring with his series of epic large fine art prints around natural history museums the world and shows in the current series \u00ab\u00a0Animal Architecture\u00a0\u00bb the filigree or monumental structures of…<\/p>\n","protected":false},"author":9,"featured_media":7343,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1919,1920],"tags":[2462,2930,1976,1978,2464,2935,2936,2937,2938,2939,2058,2419],"acf":[],"yoast_head":"\nArchitecture Animale - par le photographe de nature Ingo Arndt - Hahnem\u00fchle Blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.hahnemuehle.com\/fr\/architektier_ingoarndt\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Architecture Animale - par le photographe de nature Ingo Arndt - Hahnem\u00fchle Blog\" \/>\n<meta property=\"og:description\" content=\"Animals are great architects – and that they were in the times when human beings were still living in caves. 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