{"id":8254,"date":"2015-09-11T10:00:59","date_gmt":"2015-09-11T08:00:59","guid":{"rendered":"http:\/\/news.hahnemuehle.com\/?p=8254"},"modified":"2015-09-11T10:00:59","modified_gmt":"2015-09-11T08:00:59","slug":"worldtradecenter","status":"publish","type":"post","link":"https:\/\/blog.hahnemuehle.com\/fr\/worldtradecenter\/","title":{"rendered":"Une image charg\u00e9e d’histoire : Le World Trade Center en gravure"},"content":{"rendered":"

A l’occasion<\/span> des<\/span> 14ans<\/span> de l’attaque terroriste<\/span> sur le World Trade<\/span> Center<\/span> \u00e0<\/span> New York nous sommes honor\u00e9s de<\/span><\/span> publier un<\/span> article invit\u00e9 sur une image charg\u00e9e d’histoire (s) autant mondiales que personnelles \u00e9crit par Robert<\/span> Dutruch, photographe et tireur au<\/span> Lost<\/span> Hills<\/span> <\/a>Studio<\/a> de la Nouvelle Orleans, Etats-Unis. <\/span><\/span>
\n<\/span><\/span><\/p>\n

<\/p>\n

\"\u00aeRobert<\/a>En 1987, j’\u00e9tais un jeune photographe combatif \u00e0 New York. Je travaillais dans un studio de Lower Boadway, en bas de SoHo. Je venais d’acheter une nouvelle lentille pour mon appareil 4×5 pouces et je voulais faire un rapide test de nettet\u00e9 avec une pellicule de Polaroid Type 55. J’ai jet\u00e9 un coup d’oeil par la fen\u00eatre du studio, et j’ai vu cette magnifique vue sur les toits du bas Manhattan, avec le soleil disparaissant \u00e0 l’horizon. J’ai d\u00e9viss\u00e9 l’appareil du tripode, l’ai braqu\u00e9 par la fen\u00eatre et j’ai pris un clich\u00e9 rapide, en me guidant a l’intuition pour le f-stop et la vitesse d’obturation. Le n\u00e9gatif \u00e9tait d’une nettet\u00e9 impressionnante, et comme on le faisait d’habitude, j’ai jet\u00e9 le negatif \u00e0 la poubelle, enduit le positif et quand il a \u00e9t\u00e9 sec, je l’ai mis dans mon dossier et suis rentr\u00e9 \u00e0 la maison. <\/p>\n

28 ans plus tard, je fais le m\u00e9nage dans de vieilles bo\u00eetes d’archives et tombe dans mon dossier du studio de 1987. Comme je le feuillette, je tombe sur sur ce Polaro\u00efd cr\u00e9\u00e9 en ce d\u00e9but de soir\u00e9e de Mars, avec les toits du bas Manhattan. Et l\u00e0, je suis \u00e9bloui de voir les Twin Towers dans toute leur gloire. C’\u00e9tait un de ces moments dans la vie qui vous coupe le souffle et fait que votre coeur zappe un battement. Je n’aurai jamais pu imaginer, \u00e0 l’\u00e9poque, qu’un simple test de lentille produirait une image aussi importante, et \u00e9mouvante pour moi, 28 ans plus tard.
\n\"\u00a9Robert<\/a><\/p>\n

Je d\u00e9cidais que cette image devait \u00eatre une h\u00e9liogravure, pas seulement pour sa conservation, mais aussi pour me permettre de retravailler dessus apr\u00e8s toutes ces ann\u00e9es. <\/p>\n

Ici, au Lost Hills Studio de La Nouvelle Orl\u00e9ans, nous utilisons une machine \u00e0 graver de 1974, une \u00ab\u00a0Charles Brand Etching Press\u00a0\u00bb de 30×50 pouces produite \u00e0 Brooklyn, New York. Nous avons sauv\u00e9 cette machine de sous 10 pieds d’eau sal\u00e9e pendant l’ouragan Katrina ici \u00e0 la Nouvelle Orl\u00e9ans. Elle \u00e9tait dans un \u00e9tat pas possible, et tous les magasins sp\u00e9cialis\u00e9s que nous avons contact\u00e9s pour la remettre en \u00e9tat nous on dit que nous \u00e9tions fous d’essayer. J’ai finalement trouv\u00e9 un vieux soudeur et m\u00e9canicien qui a regard\u00e9 longuement les images et a dit : \u201cSi vous n’\u00eates pas press\u00e9s\u2026 Je vais essayer, mais je ne promets rien<\/em>\u2026\u201d Et c’\u00e9tait bien, qu’on ne soit pas press\u00e9s, car la restauration a pris 13 mois. Mais \u00e7a valait le coup d’attendre, car cette magnifique machine \u00e0 graver \u00e9tait magnifique, impeccablement ramen\u00e9e \u00e0 la vie et pr\u00eate \u00e0 reprendre du service pour cr\u00e9er de l’art \u00e0 nouveau. <\/p>\n

\"Charles<\/a>Ici, au Lost Hills Studio nous utilisons le photopolym\u00e8re ImagOn pour r\u00e9aliser nos plaques \u00e0 graver, ainsi qu’un proc\u00e9d\u00e9 d\u00e9pos\u00e9 de cr\u00e9ation des interpositifs d\u00e9velopp\u00e9 par le ma\u00eetre imprimeur Don Messec au Boyfish Press de Santa Fe. Nous utilisons exclusivement le papier Hahnem\u00fchle Copperplate etching <\/a> pour toutes nos heliogravures. Il a ce merveilleux ton chaud cette luxuriante douceur qui nous permet de rendre parfaitement la sensualit\u00e9 des Pictorialistes, un style internationale et une mouvement esth\u00e9tique qui a domin\u00e9 la photographie \u00e0 la fin du 19e et au d\u00e9but du 20e si\u00e8cle. Le papier Hahnem\u00fchle Copperplate, associ\u00e9 \u00e0 notre m\u00e9lange maison d’encres Akua nous permet de cr\u00e9er des images qui nous font revivre l’\u00e2ge merveilleux du Pictorialisme et la nostalgie et l’\u00e9motion du du tout d\u00e9but du 20e si\u00e8cle. <\/p>\n

Robert David Dutruch, gagnant du Artistic Merit Award
\nLost Hills Studios<\/a><\/p>\n

Winner of the Artistic Merit Award at the 2015 50th<\/i>\u00a0<\/span>Anniversary Summer Show Exhibi<\/span><\/h1>\n","protected":false},"excerpt":{"rendered":"

A l’occasion des 14ans de l’attaque terroriste sur le World Trade Center \u00e0 New York nous sommes honor\u00e9s de publier un article invit\u00e9 sur une image charg\u00e9e d’histoire (s) autant mondiales que personnelles \u00e9crit par Robert Dutruch, photographe et tireur au Lost Hills Studio de la Nouvelle Orleans, Etats-Unis.<\/p>\n","protected":false},"author":13,"featured_media":8264,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1919,1920,1947],"tags":[3012,2642,1955,3013,3014,2645,2625,2945,3015,2648,3016,2650],"class_list":["post-8254","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-digital-fineart","category-papiers-beaux-arts","tag-copperplate-paper","tag-etching","tag-fineart","tag-fotogravure","tag-gravure","tag-heliogravure","tag-new-york","tag-photography","tag-pictorialism","tag-polaroid","tag-printmaking","tag-world-trade-center","category-1919","category-1920","category-1947","description-off"],"acf":[],"yoast_head":"\nUne image charg\u00e9e d'histoire : Le World Trade Center en gravure - 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